Mr Hammond had decided against adding anything else, but this meant that the tone was abruptly changing at those points. Since standard organs only have 91 possible frequencies, there were not enough frequencies on the last drawbar to cover the whole range of the keyboard. Depending on the age of the organ and its restoration state, that click will be darker or brighter, and this can be controlled here. The keyclick is also a very recognizable feature that Mr Hammond did not want. The amount of crosstalk can be controlled here on the lowest levels it can be made to sound like a pure sine. The crosstalk is essentially the frequencies of the nearby tonewheels that leak into the pickups, plus the quality and age of the small filter after the pickup. The reduction amount varies depending on which notes are played, which drawbars are used, etc.Įvery Hammond organ produces a background noise, most people try to remove it, but it's still a signature of the hammond organs, so naturally we made sure the amount of noise can be controlled to taste. When you play two notes that use the same tone, the volume is not simply doubled, the ' loudness robbing' is an effect inherent to the Hammond circuit which reduces the volume of a specific tonewheel depending on the number of notes accessing that same tonewheel.įor similar reasons, the ' voltage stealing' is another effect that also reduces the overall volume based on the number of notes played, but this time it applies to the whole organ, not just the tonewheels. Hammonds are electric, and the amount of volume each tonewheel puts out is limited. In the Prefs panel, there are a few very advanced but extremely useful features that help increase the realism of the sound:

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